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Curt Gambetta is an architectural historian and designer with research interests in the history and politics of building materials, modern South Asia, fieldwork in the built environment, and the spatial politics of waste. His current book project, Substitutions of Modernity: House-Making in Postcolonial India, examines the widespread substitution of imported and inaccessible materials in the production of housing in postcolonial India. Combining ethnography, archival research, and oral history, the project shows how state and industry-led efforts to democratize access to housing tied everyday material practices to India's economic and political self-reliance. Focusing on the making of earthen substitutes for concrete and image-based substitutes for marble, it shows that their production has been used to transform aspirations to modern housing associated with state led development and Western models of growth. In turn, the book argues that scientists, architects, engineers, individual house builders, and others make use of substitution to navigate the social and environmental consequences of macro level transformations in India's political economy, thus crafting alternative pathways to modernity in their wake.
Art History
"I was there" in Reyner Banham: A Set of Actual Tracks, ed. Ludovico Centis, Architectural Association (2024)
"Field Observations" (with Hadas Steiner) and "Garbage Building" in Radical Pedagogies, ed. Beatriz Colomina et al., MIT Press, (2022)
"Throwaway Houses: Garbage Housing and the politics of ownership" in The Culture of Nature in the History of Design, edited by Kjetil Fallan, Routledge (2019)
"Authoring Materials" in Discourse 1, ed. Monica Ponce De Leon, Princeton University Press (2019)
Liquid Landscapes, with Mario Gandelsonas, São Paulo Architecture Biennial, São Paulo, Brazil (2019)
The Assembly of Trash, The University at Buffalo/CEPA Gallery, Buffalo, New York (2012
Office Light, Lawndale Art Center, Houston, Texas (2011–2012)